american roots and blues music
Multi media artist Grappo created a portrait of Alexis all in vinyl. A photo of the piece is used on the BE LOVE release.
The highly anticipated new APSB release is here! Click the photo to order your copy!
BLUES AND ROOTS RADIO, Canada REVIEW, PODCAST and MORE!
Album Of The Week - BE LOVE
Featured Artist www.bluesandrootsradio.com/featured-artists
Alexis, Vicki and Michael Interviewed
TE Mattox - TRAVELING BOY
The Alexis P. Suter Band has just hit the streets with their seventh album entitled, ‘Be Love’ on Hipbone Records. From the outset you realize this project was a communal labor of love. Loaded with original music and a few well-chosen covers, ‘Be Love’takes the listener on a journey through betrayal, self-doubt, reflection and ‘Empty Promises.’ But nestled deep within those 12 tracks you’ll find there’s an underlying resolve to speak out, to be yourself, and if all else fails, recognize when it’s time to cut your losses and simply walk away.
If you’ve followed Suter’s career, you already know her roots are in the church and that she and her band mates were regulars on Levon Helm’s Midnight Ramble. As a festival favorite the Suter Band has shared the stage with Bo Diddley, Dickey Betts, B.B. King, Coco Montoya, Etta James, Buddy Guy, and Allen Toussaint. Credentials earned in the last 15 years and enhanced by a prolific and steadily growing catalogue of discography.
When asked about her 7th release and how ‘Be Love’ came to be, Alexis says. “The number 7 is a great number, a blessed number and a lucky number! At this time in my life I’ve gotten to experience a lot especially growing up in Brooklyn. This album represents growing pains, gains and pains…” She adds. “Sharing this music with the world lets me know I’m not alone and when people can relate to that, it starts a healing process a therapeutic relationship with my fans. People know when you’re real they can feel that. #7 is really a true testament of my/our walk in life thus far, and like they say… It ain’t over til the phat lady sings and even then, more stories are created.”[Alexis Suter and guitarist Michael Louis]
Guitarist Michael Louis and Alexis Suter rippin’ it! Photo: Celine Sicotte
Alexis’ distinctive voice resonates throughout this album and you hear the bands playfulness on tracks like ‘Lips, Hips and Fingertips’ and ‘Little Back Rider.’ But there’s renewed urgency in the woman’s growl-like plea when she sings ‘you make it so hard to love you.’ With emotions laid bare, you sense the pain on ballads like ‘So Hard’ and ‘I Don’t See You Anymore.’ Life ain’t easy but understanding that and accepting it… two totally different things. Vicki Bell’s track ‘Go’ reminds us that sometimes the road to fulfillment and happiness can only be found by calling it quits.
The angelic ‘Dog Eat Dog World’ is an education in how far a kind word and a little compassion can go in our day-to-day lives. Guitarist Michael Louis shared a little about the making of the album. “It was great to see the project go from the demo stage, to recording stage, to mixing and finally becoming a finished production.’ He said. “We definitely had fun, but it’s a ton of hard work and like a race, you have to cross the finish line… and we did! Everyone involved should be proud. I think it’s an excellent piece of work.”
The album’s title track is a brass-infused rocker that lays it out, there are no guarantee’s in life, only love is real… so ‘Be Love!’ ‘Sway’ has a 2nd line rhythm that forces you to get up on your feet, only to have the gnarly ‘Sick and Tired Blues’ knock you right back off them.
When asked about the Odetta cover ‘Hit or Miss’ Louis says, “it was the first thing I pitched to band mates Vicki Bell and Ray Grappone when we first got together to discuss new material and songwriting. I knew that jam as an ‘underground’ funk classic and I thought it fit Alexis’ message and style to a tee, ‘Love conquers all and be yourself.’”[drummer Ray Grappone, Alexis Suter and Vicki Bell performing]
Drummer Ray Grappone and Alexis and Vicki Bell in harmony. Photo: Celine Sicotte
Another nugget of goodness comes at the end of the album when Alexis’96-year old mother, Carrie performs on (I Just Got Off That) Devil’s Train. Louis says, “Alexis had sent me an Iphone recording of her mom singing (what you hear) and Alexis is backing her up. A capella; no music. Alexis has got great pitch and we know where she gets it from. I found a few recordings of the song… it was definitely Jimmy Swaggart’s jam. Figured out the chords, wrote a chart & played guitar, bass and percussion (banging on my resonator guitar).”
The entire album was self-produced by the band and the extraordinary lineup includes Alexis P. Suter on lead vocals and singer/songwriter Vicki Bell backing her up. Ray Grappone plays drums, percussion and sings background vocals while Michael Louis plays all guitars and the bass on select tracks.
Additional Musicians include bassist Brandon Morrison, who also mixed the project. Will Bryant on keyboards and Lee Falco doubled up on the drums and percussion with Ray Grappone. Daniel A. Weiss performs on piano for the special final track (I Just Got Off That) Devil’s Train with Alexis’s mother, Carrie Suter.
Bottomline: ‘Be Love’ is life as we know it, the ups, the downs, the pleasures and the heartaches. And much like this album, it’s a wild ride…enjoy every minute of it.
BLUES ROCK REVIEW
April 4th, 2019
Alexis P. Suter Band: Be Love Review
There’s nothing subtle about Alexis P. Suter. On Be Love,she uses her powerful voice to own every track. She’s backed by a talented band, but Suter’s vocal talents are impossible to ignore.
Suter has a strong, deep voice. It resonates. You almost feel it in your chest before you hear it in your ears. She’s also not afraid to use that vocal strength. There’s a lot going on behind her instrumentally, but she always manages to stand out without having to resort to devious front-person tricks, like lowering the band in the mix. Nope, Suter seemingly invites her band to try and bring her down and then successfully fights everyone off.
To get a sense of Suter’s power, all one has to do is listen to “Lips, Hips and Fingertips,” a 50s-inspired number that starts at a 10, energy-level wise, never really building. But unlike a lot of less talented singers who start out songs at a fever pitch, rather than letting things unfurl organically, Suter’s immediate intensity sounds more like something she can’t help. It’s who she is. And it works for the song, which features horns, gorgeous guitar riffs, and celestial background vocals. The production is dense, but instead of feeling overwhelming, it just feels cozy.
Suter explores a number of musical styles on the album. “Little Black Rider” is an acoustic blues shuffle and “I Don’t See You Anymore” is soul. The album isn’t about genre so much as it’s about performance. Suter spent a lot of time opening for the Band’s Levon Helm and it’s easy to understand why the two artists were drawn to each other. They both share voices that can’t be contained and that will always take over a song. And they both share a love for the song that isn’t about sticking to a certain style, but rather to performing (and writing) in whatever style you’re taken. It makes Be Love pass quickly, since there are so many different kinds of songs.
As good as Suter is, she’s not a perfect match for every genre. “Go,” a slow tune with a beautiful melody and lovely bluesy slide guitar, isn’t a great match for her voice. While the song, written by backup vocalist Vicki Bell, is sweet and pretty, Suter’s voice is just too big and weathered for the track. But hearing it tells you everything you need to know about Suter, who’s not afraid to take chances, even if they don’t pan out.
The album ends with a “I Just Got Off that Devil’s Train,” a Wally Fowler gospel song performed more like a jazz blues, with piano, acoustic guitar, and vocals from Carrie Suter, Alexis’ 96-year-old mother. It’s a sweet track and indicative of the energy of the album, which is familial. The album is produced by Suter, Bell, Michael Louis (who also handled the beautiful guitar work on the album, as well as some of the bass) and Ray Grappone (drummer/percussionist). That Brooklyn-based quartet, working in various permutations, also wrote most of the songs on the album. Be Love feels like a family affair and while Suter’s vocal power cannot be ignored, her performances are enhanced by a-just-as-talented band.
The Review: 9.5/10
Can’t Miss Tracks
– Lips, Hips, and Fingertips
– I Don’t See You Anymore
– Hit or Miss
– Empty Promises
– Be Love
The Big Hit
– Be Love